Tuesday, November 18, 2008

Hotel Lights - Firecracker People

The day that Ben Folds Five broke up was a sad day indeed. After all, Ben Folds has most definitely released some great solo stuff since, there’s no argument about that; but let’s be honest here… most of that solo stuff has… well, sounded like Ben Folds Five anyway, hasn’t it? So it kinda made the break-up a bit of a moot point, to me anyway. Really, all that seemed to come out of it was that Darren Jessee, the drummer and sometime songwriter of Ben Folds Five seemed to slip into obscurity.



Hotel Lights aka Darren Jessee




That was, until I heard his new project, Hotel Lights.

Hotel Lights is a bit more introspective than your average Ben Folds Five stuff was… but Jessee’s trademark touch in his songwriting is unmistakable, and hearkens back to that previous band at its best. This single, “Firecracker People”, is the title track of Darren’s new album, and it’s a great tune. Here’s hoping to more like this from Hotel Lights.




Firecracker People (2008)

Firecracker People could very well be the perfect driving record because it takes you on a journey itself. While Jessee’s charmingly distinctive voice and lyrics are the focus of the album, the elegant melodies and subtly embellished crystal-clear guitar soundscapes make the album complete. You will find yourself listening closely for each word, and singing along to every melody. Jessee’s songs are akin to short stories, introducing us to new characters and intimate life moments, both real and imagined. On the opening track, “Blue Always Finds Me,” Jessee takes the listener from Maine down to Texas and straight on up to a star-filled sky. The title track, originally penned for a yet-to-be released Parker Posey film, reveals Jessee’s knack for simplicity and universal truths: “We’re all firecracker people, going off all the time.” Jessee’s songwriting was well-loved by Ben Folds fans, and he surely won't disappoint in this new recording of fan favorite “Amelia Bright.” Never released on a Ben Folds Five album, the song is a breezy highlight, with a catchy piano hook and a sweet tale about a certain girl in a “red ‘50s dress from a thrift shop nearby.” The album ends with a masterpiece, “Run Away Happy”, that begins in simple folk styling, slowly building into a gorgeous pop tale about possibilities of creating a new life. But citing lyrics, listing complimentary adjectives and name-dropping references merely scratches the surface of an album that can be a deeply felt listening experience. Simply put: this is an album you can easily listen to in its entirety, imagining your own experiences along the way. 

As a whole, Hotel Lights is not your average band, and Firecracker People is not an average record. The album, like the band itself, is eclectic, effortless and classic all at once. While their debut effort was a wondrously slow burn, Firecracker People shines bright from the start. And as Darren Jessee continues to blaze his own path as a songwriter with Hotel Lights, Firecracker People is a beacon for all to take notice. 




"Hotel Lights spent the past year creating and perfecting a fantastic".

Friday, November 14, 2008

New Modern Classic...AHEAD OF THE PACK

Heading to your weekend retreat?
Planning a bank heist so you can
afford a country place?
These 21 duffels will aid and abet
any stylish getaway...

All Photo: Chris Astley




Lambertson Truex
Hughes duffel bag, $615, available at Lambertson Truex Las Vegas, (702) 255-7800




Barbour
Wax cotton/leather medium Travel Explorer bag, $259, barbour.com




Sandstorm
Canvas and cowhide weekender, $350, sandstormkenya.com

New Modern Classic...AHEAD OF THE PACK


Loro Piana
Leather My Weekend bag, $3,200, loropiana.com




Il Bisonte
E510 Zip Around carry-on, $1,148, ilbisonte.com




Bottega Veneta
Sardegna canvas shopper, $1,270, bottegaveneta.com




Bill Amberg
Modern Traveller Jensen holdall, $1,060, billamberg.com

New Modern Classic...AHEAD OF THE PACK


Billy Kirk
No. 166 overnight travel bag, $320, billykirk.com




Dunhill
Tradition holdall, $3,065, dunhill.com




J.Crew
Artisan's duffel, $495, jcrew.com




Mulberry
Small Clipper duffel, $1,395, mulberry.com

New Modern Classic...AHEAD OF THE PACK


Salvatore Ferragamo
Nylon and leather duffel bag, $1,100, ferragamo.com




Bally
Kensi leather travel bag, $1,195, available at Bally NYC, (212) 751-9082




Louis Vuitton
Leather overnight bag, $2,700, vuitton.com




Valextra
V6C84 soft leather duffel, $3,330, valextra.it




Urban Outfitters
Jitney canvas weekender, $58, urbanoutfitters.com

New Modern Classic...AHEAD OF THE PACK


Ralph Lauren
Cooper travel bag, $3,700, polo.com




Tumi
Townhouse Travel & Business Montague duffel, $795, tumi.com




Banana Republic
Nylon weekend bag, $168, bananarepublic.com




Paul Stuart
Leather duffel, $847, paulstuart.com




Want Essentiels
Deurne 48-hour bag, $1,595, available at Opening Ceremony NYC, (212) 219-2688


Spacial Thanks also in THE UPGRADER/STYLE: men.style > theupgrader > style> features 
more on men.style.com

Wednesday, November 12, 2008

Saint Etienne-London Conversations

Saint Etienne were purveyors of a groundbreaking mix of various British indie styles and straight-up dance music. The ensemble--comprised essentially of old friends Bob Stanley and Pete Wiggs, with the addition of Sarah Cracknell as the permanent vocalist--formed in the early 1990s, and garnered both critical and commercial acclaim for its intelligent, witty, and highly danceable amalgamation of nearly the entire spectrum of British pop music. Over the course of its existence Artist have dabbled in everything including electronica, club sounds, '60s pop, reggae, indie-pop, and even folk.






Saint Etienne:
Sarah Cracknell (vocals, percussion); Bob Stanley, Pete Wiggs (keyboards, synthesizers).



London Conversations - The Best Of Saint Etienne

It's hard to believe that nearly two decades have passed since one time Heavenly Social mainstay Bob Stanley started Saint Etienne with fellow capital based DJ Pete Wiggs. Initially nothing more than a side-project for their more dance-orientated pop, Saint Etienne went on to become something of a household name by making easy-listening 1960s pop fashionable again, simultaneously adding 'kitsch' to the list of sub-genres we still see bandied around today.

Somewhat surprisingly, Saint Etienne never actually achieved a Top Ten single - but even though their commercial success never quite matched the critical platitudes, their music continues to attract a whole new generation of followers, particularly now, in the dance-heavy climate the UK's guitar underground currently finds itself in.

London Conversations compiles thirty-five of their best known songs, making it the nearest thing to a Saint Etienne anthology you're likely to find. Although some may argue that their presence in the grand scheme of musical development is hardly worthy of such a hefty collection, it would be fair to say that the majority of this record stands the test of time well, the older material even more so than those songs taken from most recent record Tales From Turnpike House.

"One of the Decade's Best"

Thursday, November 6, 2008

New Modern Classic...The Overinfluencers

They're bona fide visionaries, true game-changers
Now if only someone else would come along and take their place.
twelve effect on the world is so pervasive, we're calling for a ban on any
further reference to them (After this story, that is)




Ian Curtis
We love Closer. We love Unknown Pleasures. We even loved the movie about those albums, Anton Corbijn's Control. But so, apparently, does everybody else. The late Joy Division singer has recently inspired more designer collections than we care to count, plus a Burberry ad campaign—even a model of the Zune. Hey, all you depressives, time to find a new hero?

Photo: Steven Richards / Retna UK




Jonathan Ive
We'd be surprised if you haven't seen a product designed by Jonathan Ive in the last 30 minutes (in fact, you're probably reading these words on one right now). The Apple design honcho, left, really has revolutionized the aesthetics of gear, so you can't blame the folks at virtually every other brand for trying to copy that success. On second thought, sure you can.

Photo: AP Photo/Susan Ragan




Taavo Somer
Believe it or not, there was a time—late summer 2004, to be exact—when the taxidermy-enhanced aesthetic of Somer's Lower East Side restaurant Freemans seemed almost radical. Since then, of course, the look has been commodified into a brand of off-the-rack rustic that's enough to put us off our organic pork chops. Is it asking too much to want to have a nice meal without catching an antler in the eye?

Photo: Rahav Segev / Retna Ltd.




Steve McQueen
Whether driving like a maniac in Bullitt or romancing costars like Ali MacGraw, McQueen practically invented his own brand of unflappable, authentic cool. In other words, the man wasn't trying to emulate anyone else—he was a true original. Hard to say the same about someone who starts his day by asking "now what would Steve McQueen wear…"

Photo: Paul Slau

New Modern Classic...The Overinfluencers


Ian Schrager
After helping to pioneer the velvet rope and the sleek boutique hotel, the man behind Studio 54 and the Mondrian, left, has moved on to that rare American third act, creating distinctive properties like the Gramercy Park Hotel and 40 Bond. His legion of imitators, meanwhile, continue to churn out hotels whose bland, dime-store minimalism almost makes you happy the economy's headed south. (Almost, we said.)

Photo: Chris Weeks/WireImage




Thom Browne
With his meticulously constructed (if occasionally three-legged) menswear, Thom Browne has inspired countless other designers to put their own spin on the classic white-collar uniform. Well, he inspired a few, anyway. The rest seem content to take Browne's truncated silhouette and simply duplicate it. Could it really be time to start asking who's the next Thom Browne?

Photo: Getty Images




J.D. Salinger
There's one in every high school class: That kid toting a dog-eared copy of Franny & Zooey like a security blanket, certain that he's every bit as exceptionally odd and oddly exceptional as the Glass clan. And then he grows up and subjects the rest of us to watered-down versions of that wishful vision. From the canon of Wes Anderson to the cutesy self-love of the Mumblecores, Salinger's acolytes just can't stop trying to raise preciousness to high art. Maybe there's a lesson in what that other Salinger character said about phonies.

Photo: Evening Standard/Getty Images




The year 1992
To those of us who remember seeing Bill Clinton play sax on Arsenio Hall, 1992 wasn't that long ago. But a generation of club kids, rappers, scenesters, and designers is just discovering that magical year for the first time. New York's weekly "1992" party (thrown by hosts Vashtie, left, and Oscar, right) pays tribute with neon jumpsuits, door-knocker earrings, and vintage Polo, while further upmarket drop-crotch Hammer pants showed up on Spring '09 catwalks. "Where were you in '92?" bellowed M.I.A. on a recent track. Let's just hope the kids of 2024 are smart enough not to do the same to 2008.

Photo: Kreg Holt

New Modern Classic...The Overinfluencers


Vinnie and the boys
Not that long ago the term "douchebag" called to mind those moments when you don't feel, you know, all that fresh (well that and a certain SNL sketch). Then Vincent, E, Drama, and Turtle arrived on the scene, transforming what was previously an innocent receptacle for used douche into the most annoying male subdemographic since the Promise Keepers. Note to all our postfrat friends: The guys on Entourage are fictional characters, not role models.




Terry Richardson
We never thought we'd say this, but we're starting to get sick of hipster tits. Is it just us, or is the amateurish (if not actually amateur-produced), washed-out look that Mr. Richardson helped popularize feeling a little, well, washed-up? Note to all you Leica-toting youngsters: Maybe it's time to learn how to set the f-stop.

Photo: Andrew H. Walker/Getty Images




J Mays
To shake up some tired concepts, car designer J Mays looked back to the future in the nineties, dreaming up VW's New Beetle and the retro Ford Thunderbird, left. And that's probably where it should've stopped. Lately, a new generation has taken things a step farther, copying the guy who copied the old models. The result: a glut of retro cutesiness where new ideas—both under the hood and outside it—are what's needed.

Photo: Bruce Benedict/Transtock/Corbis




Moses
Listen, dude, it's not our fault our neighbor's wife is hot.
—By Matthew Schneier

Photo: Courtesy of Everett Collection


Spacial Thanks also in THE UPGRADER/LIVING: men.style > theupgrader > living> features 
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Hot and Covered...Designer Forecast

Forward Thinkers
with the global economy in a...well, let's call it a "Transitional" state,
we asked an eclectic group of designers-from armani to ervell-how they thought
fashion would change in the year ahead. as expected, the responses were as
varied as the collections themselves.

Illustration: Mickey Duzyj




Dries Van Noten
"We could hope that the current sartorial individualist attitude of men's dressing will continue. Yet what was almost exclusively sharp, angular, and urbane may now be beginning to melt ever so slightly around the edges. There may, in parallel, even be a subtle slide toward the conceptual."




Frida Giannini, creative director, Gucci
"Brands like Gucci have seasonal trends, and so it will be next year—keeping the iconic and contemporary element, but always staying truthful to the brand's core values and DNA: glamour, luxury, craftsmanship, and made in Italy."




Giorgio Armani
"It is difficult for me to talk about what other designers will do, but in terms of look, I suspect we will see a return to more elegant, classic dressing. This will be because people will want to purchase clothes that have a longer life span and are therefore a better investment. I have always preferred this design aesthetic, so there will be no great change in my approach. Clothes and accessories should, to my way of thinking, be more about style than fashion, and have a sophisticated, timeless quality, rather than be slaves to transient trends."




Italo Zucchelli, men’s creative director, Calvin Klein
"In 2009, menswear will begin to reflect a bold optimism as an antidote to the current hard times. Each season, menswear continues to adapt more multifunctional yet practical aspects to address men's modern, busy lives."




John Galliano
"Fashion has an insatiable appetite for change, for the new and for the innovative. Anything goes, as long as it's exciting."

Hot and Covered...Designer Forecast


Patrik Ervell
"In any moment of crisis, recession, war, national tragedy, etc., conventional wisdom holds that fashion gets more serious and sober. But if you look at the history of fashion, that idea has never really been borne out by facts. From a business standpoint, many designers will be forced to focus on classics and easy sells. But from a creative standpoint, chaos and collapse can lead to great things and new beginnings. I think a little bit of creative destruction can be healthy and bracing."




Raf Simons
"It will be a reality check. It will be creativity versus reality. Can they meet in this moment? How will they meet? But in any case, even in this climate, we have to give the audience beauty and something to be excited about and something that stimulates. Enough reasons already to think dark."




Thom Browne
"I don't know what the future of men's fashion will be like. I just hope that everyone does their own thing… Because that is what I'm going to do."




Tommy Hilfiger
"The consumer is going to be much more selective with what they will buy, so fashion in turn will have to become more flexible to accommodate them. We've already seen a trend where consumers are moving toward reasonable luxury; quality brands that are reliable, yet affordable.”




Yohji Yamamoto
"Am I still going to be alive in 2009? I really hope so. I am a designer; I will go on designing until I die. This is my way of talking about 2009, 2010…"


Spacial Thanks also in THE UPGRADER/STYLE: men.style > theupgrader > style> features 
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